One of the most famous pseudonym's in history, the name O. Henry evokes wordplay that is dazzling, inventive, wry, and humorous. He began writing short stories as a prison inmate, and he quickly fine tuned his skills behind the bars and developed into an excellent story-teller. The distinctive characteristic of O. Henry's short stories is the ironic twist at the end, which never fails to surprise and entertain. O. Henry's suspense and trademark ironic twist ensures that readers who have a good literary taste in short stories will not be disappointed. These stories were written in the first half of the twentieth century, and O. Henry's use of language far surpasses that of most contemporary writers. His stories also demonstrate his unique insight into the social conditions of his time.

Mistress Mary is quite contrary until she helps her garden grow. Along the way, she manages to cure her sickly cousin Colin, who is every bit as imperious as she. These two are sullen little peas in a pod, closed up in a gloomy old manor on the Yorkshire moors of England, until a locked-up garden captures their imaginations and puts the blush of a wild rose in their cheeks; "It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of roses which were so thick, that they matted together.... 'No wonder it is still,' Mary whispered. 'I am the first person who has spoken here for ten years.'" As new life sprouts from the earth, Mary and Colin's sour natures begin to sweeten. For anyone who has ever felt afraid to live and love, The Secret Garden's portrayal of reawakening spirits will thrill and rejuvenate.